Categories
Indigenous Education Pedagogy

You Have to be Careful with the Stories You Tell

“You have to be careful with the stories you tell. And you have to watch out for the stories that you are told.”

There is a well-known aphorism that says there are two sides to every story. This is of course not entirely accurate, as there can be several different sides, and versions of the same story, none of them quite coming close to the truth. But this quote does remind me that there are two sides to every telling of a story – storyteller and audience, teacher and student, knowledge-keeper and learner. 

As educators we have traditionally been seen in the role of the storyteller – we were considered, rightly or wrongly, to have the knowledge of the world, history, geography, science, etc… This was the status quo for generations. And for the longest time teachers could be used to parrot old misinformation, old untruths that have no bearing in reality. That education was once used as a tool of oppression (and still to this day can be used as such) is chilling to me. But more recently there have been heartening signs of change. Teachers are no longer complacently parroting the colonial narrative. We are actively investigating and scrutinizing resources that are no longer acceptable – and working to decolonize and Indigenize resources and practices. Working with Indigenous groups and leaders, working through our policies, procedures, and ways of teaching so that they are fair, equitable, and more reflective of the true story. We are involved in questioning the stories that we are told so that we can be involved in correcting the record – telling the accurate stories of the history of Canada. The history that is inextricably linked with colonization. Students today are no longer passive vessels for us to pour our knowledge into. Increasingly they are working as active participants in the act of education. We can help them find the true story – we do not have to be storytellers holding up a colonial system, or listeners wondering about the veracity of what we are being told. We can work together with our students to help discover the real story of Canada, even if some parts are not everything it was chalked up to be. 

The Ontario Curriculum is an ever-evolving set of documents, although its evolution is often not as rapid as some people might hope. There are a few areas where there has been some slight effort to include more perspectives, but not as might as might be hoped. The First Nations Policy Framework from the Ontario Ministry of Education was first published in 2007 and touched on some of these issues. I feel like the progress since then has been very slow. There are so many ways that the curriculum can be used to include Indigenous education. The Environmental units in Science are an excellent starting point, so much could be added there. Health and Phys. Ed. could be easily transformed. The Arts again could have so many connections. Perhaps we as educators need to work beyond the curriculum and create our own systems of Indigenization while we wait for the government to catch up.

Categories
Indigenous Education Pedagogy

We All Know Something

I know this is perhaps the most cliche symbol I could choose, but I honestly feel that this is the image I have the strongest connection with. I remember long cross country drives across Canada as a child, seeing impromptu Inukshuks along the highway, wondering what they were. As I grew up I discovered their origin, and what they meant. More recently I have used the story “Hide and Sneak”  by  Michael Kusugak with my classes, the Inukshuk plays an important role, and I like to use this as an introduction to Inuit culture. 

The Metis sash is a symbol of the Metis people. Originally used by Voyageurs working in the fur trade, it was incorporated by their Metis children. Far beyond being a belt to hold jackets closed, it had many uses, including a towline for their canoes, a trumpline to hold extra items in their packs, an impromptu sewing kit, and even a washcloth and towel. As a person who loves being outdoors, hiking, fishing, canoeing, etc… I am always impressed with the ingenuity behind this simple, colorful item, and know all too well the value of having one item that can be used for multiple reasons. While I would not presume to wear one as that feels like cultural appropriation to me, I do enjoy both the practical uses and beautiful symbolism of this item.

Chanie Wenjack was an Anishinaabe First Nations child who became the face of the Residential School system after his tragic death in 1966 while attempting to return to his home. I have selected this image because in many ways hearing his story is what led me to want to change my understanding of the history of Canada, and attempt to decolonize myself.  I have always been politically left-leaning and open-minded, but I had not been educated or educated myself on the full details of the overwhelming effects of colonization. When “The Secret Path” was released in 2016, my children started asking questions. I worked with them to discover the answers, and I was not prepared for the answers we found. There were a lot of serious conversations around the dinner table, and a lot of harsh and painful truths were discussed, but the discussions were necessary.  So my relationship to this image is I had to talk to my children, who were about the same age as Wenjack when he died, about the horrible truth about colonization and its effects on generations of Indigenous people. But what heartened me was that both of my children wanted to learn more about how they could decolonize themselves, by allies and help to make a positive change. !